Cryptlord impale Stun Hero duration reduced from 1/2/3 to 1/1.5/2, and Cryptlord damage reduced from 75/120/165 to 60/110/150.Developers’ notes: We’re reducing the cost of the Ritual Dagger to promote its use more and to bring its cost in line with its healing performance.Ritual Dagger gold cost reduced from 125 to 100.We’ve noticed that this change has more effect on UD creeping than intended, so we’re reducing this number slightly. Developers’ notes: Slight calibration of the previous change.Rod of Necromancy cooldown reduced from 26 to 24 seconds.As the overall spirit of the change was heading in the right direction, we’re reducing the number slightly to allow for more harassment opportunities from the opposing player. This was to address the vulnerability of the unit being exposed and stationary while mining gold. Developers’ notes: In a previous patch we saw the regen rate on Blight double.Acolyte hit point Regeneration while on Blight reduced from 4 to 3 HP per second.Developers’ notes: A small quality of life change that was requested by the community, which also helps master bears have slightly more utility right away.Druid of the Claw starting mana increased from 100 to 125.We will continue to monitor this and may test additional changes in lieu of this one. There has been some ongoing community sentiment that tanks were in a good place previously, so we’ve reduced the experience bounty. Developers’ notes: While we wanted to reduce the overall effectiveness of certain siege engine strategies, we realized that due to the inflexibility of our experience leveling system, setting the bounty at 85 was too high.Siege Engine tank experience bounty reduced from 85 to 60.Currently, even if a Human reacts immediately to a threat with a handful of peasants, it is still not enough to prevent their towers from going down. Since then, we’ve seen players shift to more ranged units, and we feel this change is needed to help Humans defend against certain pushes. Developers’ notes: This was a change we tested in a previous PTR, but pulled away from to see how the previous patch performed.Scout Tower / Guard Tower / Cannon Tower / Arcane Tower repair rate is now 5 seconds faster.This slight increase in range should improve the usability and quality life for the priest. We noticed that whenever a priest would try to cast dispel, they would immediately get focused down by piercing damage and be killed immediately. Developers’ notes: Changes to the overall meta have moved players toward favoring range units in certain matchups.
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If you want to learn how to do a Make It Now project you can view my tutorial // here // but basically, clear your canvas and select “make it now” from the drop down menu under “file” as seen below: Now that you’ve got whatever project you’ve chosen into the canvas space, you can adjust the size by selecting the image and click on the lower right hand button and then expanding or collapsing to your desired size. This is especially useful if you don’t have a large selection on Photoshop or Canva or Pic Monkey (for example). You can also add text the same way, by click on “insert text.” Cricut also now sells access to a font library, and you can sign-up // here //. To do so, click on “insert shapes” and select your shape. If you want, you can also just use basic shapes from their pre-loaded selection. If you need to pair cartridges to your account you can read my tutorial // here // If you’re uploading your own images, read my tutorial on how to do that // here // If you don’t already have one, a Design Space Access (I like the Premium one) is a year-long subscription that gives you access to all these images. You can search by image, category or cartridge. Round object that measures about 3. Once you’ve got a canvas picked-out, get going with your project! If you’re going to use one of the many files already loaded within the design space just click on “insert images” and it will take you to the following page. Plunge router (or jigsaw or hole saw at 6 and 3 inches) Kreg jig (like this Kreg R3 system) Tape measure (or ruler) Pencil. Click on the image you would like to insert on to your canvas to select it. Nicolle will walk you through an insert card project, beginning with selecting a design in Design Space, setting up the Cricut Card Mat 2x2, and assembling the final product. To view the canvas options, simply click on the “canvas” button at the bottom of the left-hand sidebar: Make it: Insert cards with the Cricut Card Mat 2x2. This is especially helpful if you’re making your own project or uploading one of your own files // here //. I like to work on the blank canvas, BUT there’s the option to select from pre-sized canvases based on your project in order to help you stay within the bounds of the project. Once you sign-up for an account (for free) you’ll likely be loaded into the canvas, which will look something like this: Thank you for supporting the brands that make PMQ for two possible. *The following product links contain affiliate links. SO, I’m breaking down the Cricut Design Space software for you, so that you can get started on a project. When you attach, the Mat will show the same Cricut Design Space Layout. This means that when you send your project to cut, everything will be organized, just like when you designed it in Cricut Design Space. I found the software intuitive and easy to use, but I am also computer literate and sometimes take for granted the amount of things I can do within a software. Also know, what does Cricut attach mean Attaching allows you to keep all of the attached layers together. Munich, Nymphenburger Verlagshandlung, 1967, pp. Kriegsausbruch 1914, “Deutsche Buchausgabe,” des Journal of Contemporary History, herausgegeben von Walter Laqueur und George L. “Fascismo internazionale 1920-1945,” in Dialoghi del XX, aprile 1967, pp. “Education and Social Structure in Twentieth Century,” Edited by Walter Laqueur and George L. Gooch, Homewood (Ill.), Dorsey Press, 1967, pp. “Religion and Reason of State,” in Interpreting European History, Edited by Brison D. “Free Speech and the University,” in Madison Select, May 1967, p. 227 (Journal of Contemporary History, Vol. “Literature and Society,”, London, Weidenfeld & Nicolson, 1967, pp. 191 (Journal of Contemporary History, Vol. “History Today in USA, Britain, France, Italy, Germany, Poland, India, Czechoslovakia, Spain, Holland, Sweden,”, London, Weidenfeld & Nicolson, 1967, pp. 220 (Journal of Contemporary History, Vol. “Education and Social Structure,”, London, Weidenfeld & Nicolson, 1967, pp. “The Influence of the Völkisch Idea on German Jewry,” in Studies of the Leo Baeck Institute, Edited by Max Kreutzberger, New York, Frederik Unger, 1967, pp. “Concluding Remarks,” in “Education and Social Structure,” in Journal of Contemporary History, II, 3, July 1967, pp. “1914: The Coming of the First World War,” Edited by Walter Laqueur and George L. Mosse, Translations by Salvatore Attanasio and others, London, W. Nazi Culture: Intellectual, Cultural, and Social Life in the Third Reich, Edited by George L. “The Left Wing Intellectuals between the Wars, 1919-1939,” Edited by Walter Laqueur and George L. Mosse, Munich, Nymphenburger Verlagshandlung, 1966, pp. Internationaler Faschismus, 1920-1945, herausgegeben von Walter Laqueur und George L. x, 197 (Journal of Contemporary History, 1. “International Fascism, 1920-1945,” Edited by Walter Laqueur and George L. The Crisis of German Ideology: Intellectual Origins of the Third Reich, London, Weidenfeld & Nicolson, 1966, pp. 202 (Journal of Contemporary History, Vol. Russians in Germany, 1900-1914,”, London, Weidenfeld & Nicolson, 1966, pp. 210 (Journal of Contemporary History, Vol. Mosse, Translations by Salvatore Attanasio and others,, New York, Grosset & Dunlap, 1966, pp. 196 (Journal of Contemporary History, Vol. “Left Wing Intellectuals between the Wars,”, London, Weidenfeld & Nicolson, 1966, pp. vi, 201 (Journal of Contemporary History, Vol. “International Fascism 1920-1945,”, London, Weidenfeld & Nicolson, 1966, pp. “The Genesis of Fascism,” in “International Fascism 1920-1945,” in Journal of Contemporary History, I, 1, January 1966, pp. Nolte on ‘Three Faces of Fascism’,” in Journal of the History of Ideas, XXVII, 4, October-December 1966, pp. Historic Preservation Today,, Charlottesville, Distributed by University Press of Virginia, 1966, pp. “Comments,” in Seminar on Preservation and Restoration, Williamsburg (Va.), 1963. “Puritan Radicalism and the Enlightenment,” in The Role of Religion in Modern European History, Edited by Sidney Alexander Burell, New York, Macmillan, 1964, pp. xxiii, 614 (Rand McNally History Series). Mosse, , Chicago, Rand McNally, 1964, pp. Readings and Sources since 1500, Edited, with introductions, by George L. The Intellectual Foundations of National Socialism, Seminar held at Stanford University, European Studies Seminar Center, Autumn 1963, Conducted by George Mosse, Stanford (Calif.),, 1964, ca. “Romentic and Irrational: Pitfalls of a ‘Non-Political’ Youth Movement,” The Wiener Library Bulletin, XVIII, 3, July 1964, p. “Puritanism Reconsidered,” in Archiv für Reformationsgeschichte, LV, 1, 1964, pp. “The Deputy’s Dilemma,” in The Progressive, XXVIII, 6, June 1964, pp. The Crisis of German Ideology: Intellectual Origins of the Third Reich, New York, Grosset & Dunlap, 1964, pp. The First Forging EventĪ forging event brings NFTs into the real world, and it’s something RTFKT has done in the past with its sneakers, and it’s one of the reasons Nike is believed to have purchased RTFKT.įollowing the purchase, John Donahoe, Nike CEO, said: “This acquisition is another step that accelerates Nike’s digital transformation and allows us to serve athletes and creators at the intersection of sport, creativity, gaming, and culture.” RTFKT and Nike aim to continue Clone X’s development as a diverse metaverse friendly ecosystem. If you buy a Clone X, you’ll be happy to hear that the project’s future is littered with exciting developments. Remember that trading NFTs on the Ethereum network requires paying transaction fees known as ‘gas.’ The gas price fluctuates, so it’s advisable to track its price using ETH Gas Station and trade during dips.īefore you buy a clone, you should check out the project’s official discord channel to familiarize yourself with the community. The OpenSea Clone X collection can be found here, and the vials have their own page here. You can buy a CLone X that’s already been minted on the secondary market, or you take your chances and buy a mint vial at a premium.īoth Clone X and vials are for sale on the OpenSea marketplace, where you can pick up a clone or vail in exchange for ETH. If you’re impressed with the Clone X ecosystem like I am, then you’re probably wondering what the best way to buy a Clone X is. Mint vials are used to redeem new Clone X avatars Where Can You Buy Clone X NFTs If you want to take a look around one of the pods Clone X has a video tutorial on their website.Īccording to the project’s road map, the pods are customizable and will undergo upgrades in the future. Space pods are virtual metaverse ready galleries where you can show off your Clone X to your virtual friends. Space PodsĪfter Nike acquired RTFKT in December 2021, they announced on Twitter that all Clone X holders would be airdropped a Space Pod. Owners of Clone X NFTs designed by Murakami, which sell at a premium on OpenSea, received a whitelist invite for Murakami’s Flowers, whenever it launches. In November 2021, Takashi collaborated with RTFKT and the Clone X project, and he is believed to have re-started the ‘Murakami Flowers’ project. However, Takashi paused the project because he was not familiar enough with NFT technology. Takashi got involved in the NFT space last March 2021 with his ‘Murakami Flowers’ collection, consisting of 108 pixelated flowers. The ‘Flat’ approach is distinct from western artistic styles because it focuses on the surface and the use of flat planes of color. Takashi is credited for developing the ‘Super Flat’ theory, which states that Japanese art has a legacy of 2-dimensional imagery in manga and anime. Takashi is a contemporary artist from Japan who works across various artistic fields, including sculpting, fashion, and animation. One distinct feature of these Clone X is that their owners get a say in how they look Who Is Takashi Murakami? For example, between December 2021 and March 2022, the floor price went from around ETH 6 ($ 17,000) to ETH 19 ($ 55,400). But, the floor price has shown a robust long-term uptrend. The customization feature is more or less unheard of in the NFT world, and it makes the avatars perfect for the metaverse, where people will want to express themselves through their characters.Īccording to OpenSea, the all-time average floor price of the Clones is just over ETH 10 ($29,100) as of March 2022. Token holders have access to files that allow them to customize specific attributes of their avatar. However, one distinct feature of these Clone X is that their owners get a say in how they look. Like with most NFT avatar collections, those with the rarest traits, so in this case, aliens, are the most valuable and those with common traits are less valuable. Final Thoughts On What Is Clone X NFT CollectionĬlone X avatars are 3D NFTs on the Ethereum blockchain created with unique traits decided by their ‘DNA’ of which there are eight ‘types’ with different rarity levels.Īn estimated 50% of Clones are humans, 30% are robots, and the remaining 20% are made of demons and angels (8.75%), reptiles (1.25%), undead (0.6%), avatars resembling Murakamis (0.5%), and aliens (0.15%). Unconvinced by their final album, 1989’s Modernism: A New Decade, Polydor refused to release it, but when it finally surfaced in 1998, tracks such as the blissful “That Spiritual Feeling” – featuring no less than James Brown’s backing band – showed the band had assimilated the contemporary sounds of house music into their sound and created a lost gem in the process.Ĭlick to load video Mixing Pop And Politics (Money Go Round Walls Come Tumbling Down The Lodgers Internationalists Life At A Top People’s Health Farm) Weller and Talbot’s desire to broaden their horizons continued for the duration of The Style Council’s career, with Weller enthusiastically tuning into the burgeoning acid house scene during the late 80s. Arguably the best of these, “Fairy Tales,” was a punchy slice of protest soul pepped up with stabs of Stax-style brass. MacInnes’ book – a vivid portrayal of late 1950s London – was a favorite of Weller’s and he got to work with another of his primary influences the following year, when soul legend Curtis Mayfield mixed several tracks for The Style Council’s third album, The Cost Of Loving. The jazz inflections of Café Bleu were largely absent from The Style Council’s second album, Our Favourite Shop, but Weller and Talbot later scored a Top 20 hit early in 1986 with another blissful, jazz-inflected track, the samba-flavored “Have You Ever Had It Blue?” The song was penned during the Café Bleu period but later made it onto the soundtrack of director Julien Temple’s film adaptation of author Colin MacInnes’ Absolute Beginners, featuring David Bowie, Patsy Kensit, and James Fox. Lee, and the gloriously jazzy “The Paris Match,” featuring a smoky vocal from Everything But The Girl’s Tracey Thorn. The record included contributions from rapper Dizzy Hites, soul singer (and Weller’s future wife) Dee C. Top 20), Weller and Talbot adopted a similarly collaborative approach with their debut album, Café Bleu. and sold over 350,000 copies, categorically proving there was life after The Jam for Paul Weller.Įncouraged by the success of The Style Council’s initial flurry of singles (with “Money-Go-Round” and “Long Hot Summer” following “Speak Like A Child” into the U.K. A wonderful pop record driven by Weller’s funky bassline, Talbot’s classy Hammond organ, and a joyous chorus, the song cruised to No. The Style Council established their collaborative approach from the off, with Weller and Talbot enlisting Orange Juice drummer Zeke Manyika and vocalist Tracie Young to perform with them on their debut single, “Speak Like A Child,” issued in 1983. Broadening Horizons (Speak Like A Child The Paris Match Have You Ever Had It Blue? Fairy Tales That Spiritual Feeling) Listen to the Best Style Council songs on Apple Music and Spotify and scroll down for our list. In retrospect, however, the band amassed a sizable collection of fantastic pop music during their six-year career and their catalog is now ripe for reappraisal. In stark contrast to the fierce, mod-inspired punk-pop sound The Jam perfected, The Style Council’s music could be wilfully eclectic and some of it even alienated Weller’s loyal fanbase. Ostensibly a duo of Weller and former Dexy’s Midnight Runners keyboard player Mick Talbot, drummer Steve White played on most of their recordings, while additional musicians were drafted in as required. Unlike The Jam – effectively a hermetically-sealed rock trio – The Style Council were all about looseness and flexibility. Yet, while The Jam was Britain’s biggest band at that point, Weller had tired of the constant album-followed-by-tour treadmill and was determined his next project, The Style Council, would be a complete break with the past. chart-topping album, The Gift, and a No.1 single in “Beat Surrender,” while their final tour included five sold-out shows at London’s Wembley Arena. When they finished at the end of 1982, the band went out at the very top, riding high with a U.K. It’s often said Paul Weller split The Jam at exactly the right time. |
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